More than half of Americans use subtitles because audio is ‘muddled,’ survey finds : NPR

A Martinez, Host:

Hollywood’s most famous films are often the most worthy references.

(Movie soundbtees, “went with the air”))

Clark Gabel: (As a Rate Butler) Clearly, my dear, I don’t kick.

(Movie soundbtees, “Kasa Blanka”))

Humfrey Bogart: (As a Rick Blein) I think it’s the beginning of a beautiful friendship.

(Sound Byte of Film, “Star Wars: Episode V – Empire Strikes Back”)

James Earl Jones: (as a Dartwder) I am your father.

Martnes: But when you can’t hear the dialogue, it is difficult to remember the film. A survey of a language -learning site has already found that more than half of Americans say they often use all titles because they say audio is messed up. Here is the NPR’s Berry Gordemer.

Barry Gordamer, Byline: I will never forget the first movie I saw strictly to listen to the conversation. It was the 2014 thriller “Gon Girl”. There is a scene where the role of Ben Aflk is moving the dinner party.

(Movie sound bytes, “Gone Girl”)

Ben Affleck: (As a Nick Dunn) I become a Medaling Wardord weekly charter subscriber, so I will recognize you.

Gordamer: I couldn’t understand a word of it, and I started to feel like two old boys in the “mapat show” balcony.

(TV Show’s Sound Byte, “The Mapat Show”))

Jim Hanson: (As a Waldorf) OK, I have finally worked for my hearing.

Richard Hunt: (as a Steeller) HM? Speak My hearing aid is not working.

(Laugh)

Karen Baker Landers: Believe me, I hate nothing more than I spent months in a movie, and then people say, what did they say?

Gordamer: Karen Baker Landers is an experienced Hollywood sound editor. He has won two academy awards.

Landers: for a “boron ultimatum” and a “skyfall”.

Gordamer: She says that part of the problem is studios that eliminate sound.

Landers: I have recently worked in a couple’s films where the production recordist was very inexperienced, so kept because he was cheap.

Gordamer: Technology also plays a role. In the old days, the actors had to project so that the microphone at that time could raise their voices.

(Film Sound Byte, “Oz’s Wisdom”))

Margaret Hamilton: (As a Miss Glutch) I will find you, my beautiful, and your little dog, (laughter).

Gordamer: The West’s Dinesh Dine will probably appreciate today’s microphone, which is very sensitive, which can allow actors to provide soft, more controversial performance. But there is an excellent line between the nobles and the arrogant. Here are the Matt singer, screen Crush.com critics and editors.

Matt Singer: I just watched the movie “Mickey 17,” New Bong Jun. I think the main actor, Robert Patterson, works well, but he is raising his voice. (Imitating Mickey Barnes) He does this way, you know, he’s voice a character.

(Film Sound Byte, “Mickey 17”))

Robert Patterson: (as a Mickey Barnes), was not working on the ground, and I wanted to get hell from there.

Singer: It was of a kind, you know, like, what did he say?

Gordemer: Increase the problem? Directors who manufacture sound tracks that stack sound layers on the environment and music and sound effects. It can really suppress audio.

Singer: A director whose name is revealed when this conversation comes out is Christopher Nolan.

Gordamer: He directed the Batman movie “The Dark Knight Rises”. It offers a lot of difficulty to understand the spirloid.

(Film Sound Byte, “The Dark Knight Rises”))

Tom Hardy: (As Bani) Like the destructive men of the ship, I would assure them that they can survive.

Gordamer: Nolan has repeatedly defended it, which he calls the impression of the voice.

Singer: This conversation is almost the choice to use as a sound effect.

Gordamer: It also makes a difference where you watch the movie. If you are at home, it is likely that you are using streaming service like Netflix or Disney+. They compress audio to stop buffering. But Sound Engineer Karen Baker Landers says streamers use different standards of compression, and can be wisely disturbed.

Landers: If you are mixing the theater to release, different streams take this master session. And what they do with it is the thing we need to standardize.

Gordamer: So for now, a clear solution is nowhere to be sight or sound.

Barry Gordamer, NPR News.

(Sound Bytes of Hans Zimmer’s “Cornfield Chase”)

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